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・ Michael Mooney (sailor)
・ Michael Moorcock
・ Michael Moorcock bibliography
・ Michael Moorcock's Multiverse
・ Michael Moore
・ Michael Moore (Australian politician)
・ Michael Moore (bassist)
・ Michael Moore (British politician)
・ Michael Moore (disambiguation)
・ Michael Moore (footballer)
・ Michael Moore (herbalist)
・ Michael Moore (judge)
・ Michael Moore (offensive lineman)
・ Michael Moore (saxophonist and clarinetist)
・ Michael Moore (Swedish officer)
Michael Moore Hates America
・ Michael Moore Is a Big Fat Stupid White Man
・ Michael Moore Live
・ Michael Moorer
・ Michael Moorer vs. George Foreman
・ Michael Moradzadeh
・ Michael Morales
・ Michael Morales (musician)
・ Michael Moran
・ Michael Moran (journalist)
・ Michael Moran (Massachusetts politician)
・ Michael Moran (music producer)
・ Michael Moran (Tuam)
・ Michael Moran (writer)
・ Michael Morell


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Michael Moore Hates America : ウィキペディア英語版
Michael Moore Hates America

''Michael Moore Hates America'' is a documentary film directed by Mike Wilson that criticizes the work of film director Michael Moore.〔(【引用サイトリンク】work=The New York Times )〕
It premiered September 12, 2004, in Dallas, Texas, at the American Film Renaissance film festival.
==Overview==
The film and its poster are patterned after Moore's film ''Roger & Me'', during which Moore attempts to chase down Roger Bonham Smith for an interview. In this case, Wilson seeks an interview with Moore. Wilson also adopts other aspects of Moore's style in his efforts at satirizing Moore. For instance, Wilson interviews a mix of Americans across the country and well-known figures like conservatives Dinesh D'Souza, David Horowitz and Andrew Breitbart, liberal Albert Maysles and fellow libertarians such as Penn Jillette and Tim Slagle. Wilson revisits some of Moore's shooting locations and subjects from ''Roger & Me'' and ''Bowling for Columbine'', and attempts to discredit many aspects of Moore's films.〔
Wilson's main criticism is that Moore misrepresents the truth by staging events and deftly cutting sequences to distort the truth. As an example of Moore staging events, Michael Wilson offers the scene in ''Bowling for Columbine'' where Michael Moore gets a gun on opening a bank account. An interview with the bank employees suggests that Michael Moore had arranged for the gun to be delivered to the bank ahead of time so he could walk outside with it immediately after opening the bank account. To show Moore uses deceptive editing, Michael Wilson offers the scenes in ''Bowling for Columbine'' of NRA president Charlton Heston speaking. The scenes are cut together from different speeches; however, in the film they may be construed to be from one speech given shortly after the Columbine shooting at a meeting in Denver.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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